New Order
Tag Archive

Meet The Community – bodlingboy

Comments (0) Carousel1, Latest, Meet The Community

Here we divert our attention away from the artists and bands and shine a light on some of those individuals whose contributions in our social media world have been an invaluable source of musical joy. By asking a series of 10 questions we want to get inside the mind of a selected community member and understand their indie DNA.

_________________________________________________________________________________

In this edition – @bodlingboy

bodling picA Meet The Community for bodlingboy has been on our radar pretty much since day one, but we’ve been holding back waiting for the right time. With the first anniversary of our 30 Years Of Indie Albums interactive feature upon us, that time has arrived.

This time last year we were recovering from the inaugural Indie Advent and enjoying some post Xmas down time when that DM from bodlingboy hit us, suggesting a 30 Years Of Indie Albums as the next interactive feature. Realising that the month of January offered a perfect opportunity to run a daily interactive event covering 30 years, we put bodlingboy’s suggestion to the top of the in-tray, feverishly devised a format in the limited time available and dived headlong a chaotic month of guest judges, random years and musical banter.

So we have to thank bodlingboy for a month of Kalms and Pro Plus dependency and the four-fold increase in our mobile phone bill due to data allowance breaches. However, we also have to thank him for his part in a month of intense musical mayhem the after-shocks of which are still rumbling a year later.

Of course, that wasn’t our first contact with bodlingboy. The foundations were already laid through a variety of interactions on Twitter and we had begun to build a profile of the man. We knew for example that he rather liked a flutter and that he was an avid fan of Aston Villa Football Club. We’re not sure he’ll be laying down any bets on his precious Villa beating the drop though.

We also didn’t need to employ the services of Marple to find out bodlingboy’s favourite band. With a Twitter banner and profile pic both featuring images of The Family Cat cover art, the case was well and truly closed.

The one thing that we have learnt for the first time about bodlingboy is that his real name is David Crutchley. But calling bodlingboy “David” would be akin to referring to Bez as “Mark”. So we’ll stick with plain old boldingboy if it’s all the same to you David.

So without further ado, let’s meet @bodlingboy

1) Where did you grow up?

I grew up in and still live in Birmingham 

2) What first got you into “indie” music?

Probably listening to my sister’s boyfriend’s albums of the late seventies and early eighties, especially Stranglers, Magazine and Joy Division (although for that privilege I had to suffer a lot of Tangerine Dream)

3) What was the first “indie” record you bought?

First indie record I bought was Blue Monday – New Order (more for the sleeve than the record). It got lost in the great bodlingboy fire of the late nineties. Vinyl burns a lot quicker than furniture, remember that kids!!!!!!!)

4) What was your favourite record shop?

In Birmingham had to be Tempest records. Just loved going down there on a Saturday and just milling around with not much intention of buying but just the anticipation of what records they would play in the shop

5) What music magazines did you read?

Magazine-wise was all the usual ones but had a real soft spot for “Sounds” and “Melody Maker” and the monthly glossy was always “Select” 

6) What was your first “indie” gig?

First proper indie gig would have been around 1986 at Burberries in Brum watching Mighty Mighty supported by the Boatymen and a few weeks later The lilac Time. Got in for free as a girl I knew was copping off with Stephen Duffy

7) What was your most memorable “indie” gig? And why?

Loads of memorable gigs but strangest was when I was doing flyers for bands at gigs. There I was handing flyers out dressed a bit like the shopkeeper from Mr Benn when a voice boomed out “ooooiiiiiiiiii you with the fez go get my brother!”, I replied “it’s not a fez you idiot it’s a skull cap!”. “Go get my brother!” he screamed. So I ran backstage got the said brother. They both then went on to have massive argument at the front door, before 2 bouncers split them up and dragged them backstage.

As you’ve probably guessed this was Oasis, they were supporting Saint Etienne who I watched with Noel and Alan McGee. I think Liam was outside fighting a kebab seller or swearing profusely at a fake pot plant. 

8) What 3 “indie” albums would you take to a desert island?

On my desert island I would be listening to Stone Roses (s/t), Buffalo Tom “Let Me Come Over” and Pixies “Doolittle”. That’s assuming the boat I get sunk on also had travelling on it all the members of the Family Cat and their instruments so they would be my desert island house band

9) What “indie” band/artist would you most like to meet?

I’ve actually met quite a few including the Family Cat, so would have to be the Pixies including Ms Deal

10) What one song defines your indie-ness?

I’ve never been quite sure what “indieness” actually is but a song to maybe define  mine a little bit would be “Love In A Car” – The House of Love


_________________________________________________________________________________

A huge thank you to bodlingboy for taking part. Hope you enjoyed this insight into his indie-ness.

You could be next.

Read more

Barney reviews “Sensitive” By The Field Mice

Comments (0) Barney, Carousel, Carousel2, Feature, Reviews, Slider

Barney Croker is our mysterious Stig-like reviewer, who will be regularly road testing an indie classic completely virgin to their ears. He gives it straight but without the hate.

In this edition Barney appraises:-

The Field Mice – Sensitive (1989)

Absolutely no chance this could be mistaken for being from any other time than the post-C86 80s.

It reminds me very much of the Woodentops, but a Woodentops who were unable to utilise a decent producer and/or decent recording studio.

It’s a shame, because there is actually a very pleasant song and some good musicianship lurking beyond that standard production. The bassline is particularly enjoyable, and the backing lead guitar sounds pretty good. The rhythm guitar bursts (reminiscent of Public Image by Public Image Ltd) are somewhat overmixed and too abrasive to suit the actual prettiness of the song.

Lyrically I have no idea! I guess he’s bemoaning a lost love or something! But lyrics are always secondary to me anyway.

At just over 5 minutes, it’s a little bit longer than these sort of songs would normally be, unless it’s a short-change 12″ version that I’ve been listening to. If this is the standard song, then I admire their adventurousness in having a long play-out, which I guess is counter balancing the fact that the song lacks a middle-eight section. It does carry quite well and the chorus chord changes suit the play out, but the muddy production mars the interest that this would normally hold for me. New Order are the masters of the long playout after all!

All in all, I quite like it as a song and I like the idea of the long instrumental playout. But the production quality does stop me from wanting to give it regular listens.

I can well imagine this as being one of those songs that sounds much better live than the studio version.

What indie classic will Barney Croker review next time?

Read more

Meet The Community – Doug Jack

Comments (0) Carousel, Carousel1, Feature, Latest, Meet The Community, Slider

Here we divert our attention away from the artists and bands and shine a light on some of those individuals whose contributions in our social media world have been an invaluable source of musical joy. By asking a series of 10 questions we want to get inside the mind of a selected community member and understand their indie DNA.

In this edition – DOUG JACK

Doug Jack

It’s seems kind of obvious that Doug should be our inaugural subject, being very much an original member. We were just a fledgling Facebook group with a mere half a dozen members when Doug came crashing into our world. Up to that point we were sharing fairly formulaic indie tunes (Smiths, Madchester, Britpop, Shoegaze etc) and then suddenly Doug joined the group bringing with him his own very dark and heavy brand of indie.

His first post was Fugazi’s Waiting Room which was a perfect statement of intent for what was to follow regularly. It would be fair to say that everything that did follow was not likely to ever appear on a Shine compilation album. We’ve had the delights of Oxbow, Pissed Jeans, Ministry, Kildozer, and Godflesh. Doug’s posting of King Missile’s Detachable Penis is the stuff of EIO40 Facebook legend. As for Butthole Surfers. If it’s a Butthole related post, you can bet your bottom dollar Doug is the source.

So without further ado, let’s meet Doug Jack

1) Where did you grow up?
Scotland, Northwich and Rayleigh

2) What first got you into “indie” music?
Watching Top Of The Pops with my parents. Anything they objected to generally was good indicator. Seeing punk and New Wave and thinking “Wow!

3) What was the first “indie” record you bought?
New Order “Blue Monday”

4) What was your favourite record shop(s)?
Golden Disc, Southend and Honest Johns, London

5) What music magazines did you read?
Melody Maker was my bible

6) What was your first “indie” gig?
Stump at a pub in Southend

7) What was your most memorable “indie” gig? And why?
Lots but probably the first time I saw Nirvana and was totally blown away. No one knew who they were and they were bottom of the bill at the Astoria supporting Mudhoney and Tad. It was also my first stage dive. I went on to see them quite a few times before Nevermind came out and ruined everything as everyone found out about them

8) What 3 “indie” albums would you take to a desert island?
Nirvana Unplugged, Aphex Twin Ambient Works and R.E.M. Automatic For The People

9) What “indie” band/artist would you most like to meet?
John Peel, who I did meet very briefly once. He was a massive influence and I listened to him obsessively. If we have to go with living, it would have to be Bjork as she is just so eccentric

10) What one song defines your indie-ness?
That’s a tough tough tough question. Guess The Butthole Surfers and Human Cannonball. I always loved their unique chaos and random approach to life. It has elements of Zappa, Beefheart, Sabbath and punk, It’s devious, it’s weird but it’s about enjoying music and not taking yourself seriously. Would of been this or Frank Sidebottom

A huge thank you to Doug for taking part. Hope you enjoyed this insight into the indie-ness of Doug.

You could be next.

Read more